Sunday, 6 November 2011

How is disability represented in 'The Streets'?


Disability is presented as a negative thing, in the work place, in his home streets and at the recruitment office. The main character faces obstacles because of his disability and how people treat him differently because of it. Throughout the clip we see how and why specific scenes were shot in the way they are, and to look at how editing, sound, camera and mise-en-scene can help emphasise a point of a scene.

Throughout the clip mise-en-scene is used to create a feeling that the main character is trapped, this is enforced at the beginning by seeing his blurred silhouette behind bars of wired fencing, in this scene the blurring which is an edited effect also shows that the character is becoming a nobody who doesn’t stand out, just slowly fading into the background because of his disability. The trapped feeling is reinforced in the recruitment office where shadows from the blinds produce the effects of bars across the characters face. The character is portrayed as trapped because he is stuck with his disability for life which prevents people from treating him properly and seeing him as a proper person again.

The way people treat the main character throughout the clip is portrayed through awkward situations, like when he visits his old workplace hoping for his job back, after his old work mates telling him they’ve just had a new contract signed and doing really well they claim that there’s no work there for him and try blaming immigrants for taking the jobs. The conversation gives an awkward feeling with lots of silences where the work mates don’t know what to say or how to behave and try to avoid looking at the main characters face.

Then in the street when the character approaches his friend and frightens  her, she keeps ‘digging’ to try and get out of the situation while sub-consciously making it a lot worse and making it awkward. We are shown a lot of awkwardness between other characters and the main character because awkwardness is often associated with the company of a disabled person as people don’t know how to behave around them but try and be overly nice at the same time.

A long-shot is used up the street to establish the setting and for the viewers to be able to see the character is approaching the woman, this is followed by a close shot when the woman is frightened from the quick appearance of the main character. He believes it’s because of his disability and walks away while she follows him, during this scene steadi-cam is used to follow the movement, creating agitation by using the same fast paced, un-smooth movement of the main character who is upset that he scared his friend and annoyed from her ‘digging’.

During the high street scene there’s sound used to create a pacey atmosphere, the music resembling the sound of a drum beat and marching, similar to an army sound. It’s a non-diegetic sound which is used to give a chaotic feeling. During this scene there is lots of jump-cuts showing different people’s expressions as the main character walks past them down the busy street. It’s clear from his fast movement and face that he’s uncomfortable with everyone staring at him because of his disability, this then leads to anger for when he enters into the recruitment office.

During the recruitment office scene there is the mise-en-scene of bars to suggest the character is trapped, and a heated conversation, this is the only conversation which doesn’t appear as awkward, because the recruiter is clearly used to seeing war veterans and the scars from injuries which they have, he doesn’t talk to the character as if he’s a different or incapable man. The office is strangely organized for an army recruitment office, the recruiter has a perfectly organized desk with a picture of his family by his keyboard. Around the room there are pictures related to the army, and a plant which is there to bring a bit more life and exoticness to the ordered office. The men in the background are all trying to appear occupied by reading through things, trying not to be nosey, although you can see them having the occasional look. The four men sat on chairs to the right side also appear to be ‘behind bars’ because of the mise-en-scene, suggesting that these lads are now also trapped into having the same future and similar disability to the main character. 

Over all we can see that because of his disability people treat him differently, they feel awkward talking to him or simply being around him. Also people find it difficult to give a job to a disabled person, feeling that they wouldn't be as capable as a 'normal' person. 

Wednesday, 26 October 2011

Audience and Institution

1. Do you think the audiences for most media texts do come “from all walks of life” or do 
different kinds of people watch very different kinds of programme? Are there any examples of media texts that you can think of that do seem to have audiences of all kinds of people?
I think different kind of people watch different programmes, for example boys are more likely to watch an action film involving lots of cars and guns where as girls are more likely to watch a movie involving love and shopping. I think some films can be aimed at a very wide range of audience but still some people may not like that film, a good example of this is Harry Potter.
 
2. How much of your media experience occurs when you are on your own and how much 
when you are with others? 
Most media experiences I have happen with other people, visits to the cinema or a night in with the film whereas people on their own tend to do tures like housework or homework for students.
 
3. How do you experience/consume media (i.e. watch or listen to it)?
Watch films/tv
 
4. Are there any ways in which you share your experiences of the media with other people 
who weren’t around when you experienced the text?
Facebook, texting, in person conversations, phone calls.
 
 
McQuail and Katz:
a) the need for information about our geographical and social world - The boy in striped pyjamas.
b) the need for identity, by using characters and personalities to define our sense of self 
and social behaviour - sex and the city
c) the need for social interaction through experiencing the relationships and interaction of 
others - the notebook
d) the need for diversion by using the media for purposes of play and entertainment. - Harry Potte
 

Representation of the man

At first glance people would think that this man is probably a beggar. People think this because his trousers are patched, his shoes are scuffed and his outfit doesn't really match. He seems as though he doesn't really care about his appearence. This man looks asif he is around about in his 50's and he is perfectly healthy despite having the image of a beggar.

On closer inspection his outfit perfect to have been worn by a beggar, despite the patches on his trousers, they are perfectly clean suggesting that the patches are just a fashion design. His in-fashion shirt and cardigan are the right length and the man seems to be standing perfectly comfortable, he is confident within himself and what he looks like.

This man is in fact Doug Bilmaier and his job is to run Ralph Laurens vintage department.

Calvin Klein advert analysis

This advert trying to sell underwear needs to be sexy and make the purchaser feel like if they wear the product being advertised it'll make them look like the model.
He is positioned near to the centre of the picture because his body is our main focus, the shaved head, which gives a military aspect, and clenched fist gives a masculine look that he has strength and power, also the fact that his hand is on his boxers brings out sexuality in the picture.
He has a tattoo of a wild animal which could be repesentational of his personality. His straight stare into the camera is an intense powerfull look, while he still holds a casual stance.
Putting his arm up and resting it on a bar shows how good his muscles look and toned he is while looking like he's holding a casual stance.
The red background can represent sexuality, love and danger.
Although his muscles, gaze and clenched fist shows masculinity there are also feminine aspects of him, like having a waxed stomach, a slight pout, and wearing a necklace.
This advert can be interpreted differently by different genders, a woman would probably see him as sexy, and inviting where as a man could probably see him as intimidating although still thinking he looks good.

Wednesday, 21 September 2011

The male Gaze definitions

The chocolate box- half or full-smile, lips together or slightly parted, teeth barely visible, full or three-quarter face to camera. Projected mood: blandly pleasing, warm bath warmth, where uniformity of features in their smooth perfection is devoid of uniqueness or of individuality.


Invitational - emphasis on the eyes, mouth shut or with only a hint of a smile, head to one side or looking back to camera. Projected mood: suggestive of mischief or mystery, the hint of contact potential rather than sexual promise, the cover equivalent of advertising’s soft sell.


Super smiler - full face, wide open toothy smile, head thrust forward or chin thrown back, hair often wind-blown. Projected mood: aggressive, ‘look-at-me’ demanding, the hard sell, ‘big come-on’ approach.


Romantic or sexual - a fourth and more general classification devised to include male and female ‘two-somes’; or the dreamy, heavy-lidded, unsmiling big-heads, or the overtly sensual or sexual. Projected moods: possible ‘available’ and definitely ‘available’.


Seductive - the eyes are less wide, perhaps shaded, the expression is less reserved but still self-sufficient and confident; milder versions may include a slight smile.


Carefree - nymphlike, active, healthy, gay, vibrant, outdoor girl; long unrestrained outward-flowing hair, more outward-going than the above, often smiling or grinning.



Practical - concentrating, engaged on the business in hand, mouth closed, eyes object-directed, sometimes a slight frown; hair often short or tied back.


Comic - deliberately ridiculous, exaggerated, acting the fool, pulling faces for the benefit of a real or imaginary audience, sometimes close to a sort of archness.


Catalogue - a neutral look as of a dummy, artificial, waxlike; features may be in any position, but most likely to be with eyes open wide and a smile, but the look remains vacant and empty; personality has been removed.

Tuesday, 20 September 2011

Old people in the media can be represented as weak, deaf, poor eyesight/hearing, shrunken

They are normally represented where there is a magic involved.



They can be forgetful, or have an illness which makes them forget everything.

They are religious/morals of olden days


Flashback for war films/memories





Teenagers can be seen as scary, unapproachable, intimidating if they go round dressed as in this picture a typical 'gang'.

American movies involving teenagers are normally very sport orientated, because they're still in school and in school teams etc.

Teenagers are often associated with smoking and drugs.


Teenagers are also characters in a lot of horror movies, when a group of friends have decided to take a holiday together or they've been too curious about a superstition which they don't believe is true.


Friday, 9 September 2011

About me

I have chosen to study media because it seemed like an interesting subject and the sort of thing I would like to learn about and be interested by it, the other subejcts I'm studying are: Chemistry, Biology and Psychology.
My favourite artists are Rihanna and Eminem, and my favourite band are JLS, I think they have good voices and a Rihanna ft. Eminem song always sounds really good.

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My favourite tv programme is eastenders, but I also like hollyoaks and x factor

My favourite film is Harry Potter I love the whole series